So, I did get out to one of my local sites for a weekend with my collecting comrade Malcolm. Sadly, the site is pretty much tapped out now, but there are other irons in the fire, not including the annual Penn Dixie and Deep Springs Road group dig at the end of the month.
My only real trip-maker: a fair sized placoderm plate (Protitanichthys sp.), pictured in situ and assembling it at home. By far, the biggest plate I've found. Not much else worth mentioning was found, but it was great to feel the swing of the hammer, the sound of rock splitting, and the smell of fresh shale. I'd been waiting five months to get back out there.
I've also not been idle at home, fossil-wise. Although I don't have anything worth preparting at the moment, I've gone on a bit of a trilobite drawing tear.
I also decided to try my hand at drawing one in colour. Keep in mind that I haven't done any coloured pencil work in over two decades.
After colour-matching, this is the palette of pencils I've decided on. I first outline the drawing using a faint pencil (7H), and then go about the work. I can't seem to get the same precise detail using coloured pencils as I do regular graphite ones, so this is almost looking realistic. Here are the stages leading to the final result:
So, not terrible for my first colour drawing in an eon.
In related fossil news, I bit the bullet to upgrade my preparation tools. By the coming Monday, I'll be welcoming a ME-9100 and a Paleo Aro scribe, both with 2" styluses. The ME-9100 is the workhorse for bulk matrix removal, and it will really cut down on time as I used an Aro clone to do that, which was like trying to file down a mountain with a bread knife. Also, the Aro clone was giving me a bit of grief during my last prep as the tip is too wide and blunt for the precision work I need it to do on more calcitic matrix that fuses to the shell (and hence the Paleo Aro). It will also mean increasing my compressor capacity by retiring the 3 gallon in favour of a 20 gallon unit. Let's just say that preparation is not a cheap hobby, and these tools are pricey. But, if one is going to do quality work, it pays to have quality tools.
Until next time...
This was posted as part of an ongoing thread on The Fossil Forum. I am putting it here for those who are not members of the Forum.
I thought I'd show the steps in how I go about drawing trilobites. I usually begin by sketching one of my bugs from different angles, and experimenting with lighting. Once I hit upon the angle and lighting I like, I get to it.
Here is the simple setup at the dining room table: adjustable neck lamp, the subject, magnifier, an array of pencils, tunes, and water.
At this stage, I've already gone about four hours.
I spend a ratio of 4::1 in terms of putting my eyes on the subject and putting the pencil on the paper. Each area and segment must be treated as unique to ensure some relative degree of realism; to draw what one thinks is there is liable to produce a result that looks... not so real. At the same time, it is important to stop often to check against the entire drawing lest the myopic focus of a slight deviation result in some wide variance later. Using the magnifier, I can check in on the finest details of each crack and bit of microsculpture.
I lay down very faint guidelines once I have the proper scale down. In this instance, the trilobite is not very big, but I want it to fill the page. The pencils are all sharpened at different lengths, which only vary so minutely (and why I use so many at a time). I lay down the more detailed work as I go, working top to bottom so my hand doesn't smudge it.
I use erasers very sparingly, so I need to get it right the first time. No matter how careful I am to remove eraser rubbings, it can make fainter penciling too dark if the pencil tip is going over microscopic grit.
Once the rougher detailing is done, I spend an hour fine tuning and checking against the subject. Another hour or so is spent blending. I don't like the smudging technique to burnish as it is much harder to control, and the result looks a bit, well, smudged. Instead, I use a harder graphite (H to 7H) to try my best to remove or mask more obvious pencil strokes, while also working in the fainter areas and incident lighting. I then use a softer graphite (3B-5B) to darken the shadows a bit, and blend it in with a basic HB.
In this drawing, I've put in all the cracks, mottled areas, and imperfections. This one was in the process of a moult, and so you can make out the little gap from the cranidium and the cheeks, as well as the slight separation between the two last pleurae on the bottom right.
After carefully removing any remaining guide lines with an eraser tip, at 8.5 hours it is complete.
Today is my birthday as I flip the number over to 42 (insert Douglas Adams references at will). But the main event will be this weekend when I go on my first significant fossil dig of the year. Two days of site preparation and eventual excavation to get it up and running for the 2019 season.
So just two minor updates: a drawing and a new trilobite.
Deb had found this small roller at Bowmanville in October, and I prepped it in January.
Cyphaspis boutscharafinense with good tuberculate glabella and decent spines.
And that's it until I get back from the two day dig.
As I posted last time, I received a block containing the trilobite Asaphus lepidurus for me to prepare. Despite the three of this species I've prepared before, this one was by far the toughest due to the nature of the matrix being hard, sticky, and calcitic. It meant very slow scribing, micrometre by micrometre, under high magnification. Of course, I was having plenty of problems with my equipment that added to the aggravation.
This is the block when I got it, and then after an hour and a half of patient scribing with an ARO clone with the not so great factory tip. As thick as the block was (with trilobite at the bottom), I couldn't risk a chisel... So it was the long way down.
Several more hours as I also work the matrix down. The plan is to have the trilobite standing in this orientation, sitting in a depression. The matrix is starting to play tricks with my eyes. At this point, I'm slowly revealing the right pleurae, heading for the axis, and working around the cephalon.
This stuff is sticky, and largely impervious to abrasion even at higher pressures. It took several hours to find the other eye, negotiating very carefully so as not to accidentally scribe it off. Once the pleurae and axis were largely revealed, working that top of the cephalon took eight or so hours on account of extra stickiness. I also didn't want to knock off the diminutive tubercle by mistake.
After the left side pleurae are exposed at their tips, let the long abrasion session begin. I swapped between the Paasche with the 18 gauge dispensing needle (the disposable needles just arrived yesterday just in time) and the pin vise. There were several very stubborn, translucent bits of calcite to slow me down.
I finished it off with some matrix smoothing, and this is the end result. Measuring 80 mm. Despite the limits of my current equipment, and the unholy horror of this matrix, I managed to do some justice to this trilobite, exposed for the first time in 450 million years.
Been a while since I updated the blog, but winter is a slower time on the fossil front. Compared to last winter, even purchases are down as I either have most of the stuff on offer, it's too expensive, or it's not in pristine condition. But I do have a trilobite coming in a few weeks, and one other I received not long ago. This post will be a potpourri of odds and ends. Lots of stuff coming up...
Pictured here is a wee Acastoides sp. from Morocco. It was cheap and very nicely articulated, so I added it to the trilobite family. I've also had a bit more cash in the PayPal account due to selling some surplus trilobites.
I also managed to spend an afternoon adding to my trilobite sketchbook with these two Russian beauties.
It's a rock! No, not just a rock, but a Russian rock, and a Russian rock containing an asaphid I am currently preparing. Due to the nature of the matrix, and my current tools, this is a 100-200 hour job. I'll create a separate post when it's done.
Hobbling my preparation efforts has been a clogged air hose, likely in the built-in moisture trap for my Paasche AECR. One might think a basic air hose with a 1/4" - 1/16" would be a cinch to replace, but three hours of hardware store visits and plenty of time searching the web says otherwise. I finally got my part and am ready to get to the next critical phase in the prep, which involves swapping between scribing and abrading due to the stickiness of the matrix.
And that wasn't the whole of my prep equipment frustrations, either. I had just been talking with my friend Kevin, saying that I've gone over a year without needing a filter on my lines. Well, no sooner than I said that, the scribe starts acting more like a garden hose. So a trip to Princess Auto to fix that, and to locate a replacement hose (see above). I was also having serious air leak issues, and teflon tape for my big clumsy fingers usually results in my exhausting all the blue words I know, so I've gone for thread sealant instead. The filter/desiccant has already made for a much drier scribing experience. Nothing can be more frustrating than doing precision work under the scope while maintaining critical control of the tool than when it sprays water all over the fossil, turning scribing dust into cakey, opaque mud. And also pictured is a resupply of those handy nitrile gloves.
So when is the first dig of 2019? I'm hoping this weekend, weather and opportunity pending. I've got some other trips planned, too. It will be fantastic to get this season rolling and spend time with my favourite field comrades again as we swing hammers as spring clamours!
On a bit of a tear when it comes to scratching about with the pencil. These are the newest additions. Up to ten trilobite drawings now.
What else can one do that is fossil-related when collecting is not possible and the prep queue is virtually empty? More drawing, of course. Here are the results of a lazy Sunday afternoon (+ Tuesday):
All of these were done using just a standard HB pencil. I wanted to focus on the more "dynamic" trilobite poses as opposed to the straight-on-from-the-top sketch. By drawing these bugs from my collection at different angles and poses, it means relying on more looking at the subject than relying on assumed symmetry. In other words, drawing what one sees, and not what one thinks is there, which is pretty much the standard first lesson of any life drawing class.
Until winter clears, I can foresee doodling up a few more of my bugs. I can't say I mind the practice, and the results generally satisfy me. It isn't preparation, but almost as painstaking.
Snow-free until January 10, and then it clobbered us. More time spent indoors and thinking that it will take a while for this snow accumulation to melt and get the collecting season back into gear. So that leaves prep and postal formation.
This is a return engagement with a bug I started a few months ago. It is a giant for the location (Penn Dixie) that measures over 45 mm from genal to folded over genal. What is not shown in this image is the folded over/under side that took a ridiculous number of hours. I also took the time to level and smooth the matrix -- something I am learning to get better at, and which also takes a lot of time and patience.
A very lovely full prone Scabriscutellum furciferum from Morocco.
The seller was also kind to add an unexpected brachiopod surprise to perk the package.
My 100th trilobite species! Asaphellus fezouataensis from a really nice seller who also threw in a little enrolled phacopid.
Still trying to relearn my old drawing skills that have been neglected for nearly 20 years, a pencil rendering of an Isotelus.
A Greenops widderensis...
And an Eldredgeops rana with all the crush/distortion flaws.
So, for now, that's about it. I'm somewhat running out of trilobites to prep, and only expecting one or two bugs in the mail. I really hope winter won't be too long!
A belated birthday gift, but only by a day. Had the rock cut and away I went to prepare one of Deb's most prized finds.
From the field to the final product.
Over the weekend, I was trying to prepare an Eldredgeops rana roller so that it would be nicely presented in pedestal fashion (just to get some practice with that approach). The roller itself was flawless with no cracks from crush damage, and fully inflated. It was going very well until it popped off the last remaining bit of rock that had been holding it in place, and... rolled away. Cleaning out my entire prep area did not result in me finding it, so it has likely been absconded by the same little demons who steal socks from the dryer. Six hours of work gone.
So a few days later I decided to prep my way through that disappointment in completing a trilobite I had prepared before, but not to the full extent. This is another Eldredgeops rana from the Penn Dixie site, and measures on the upper end of the size they appear at this site.
Before and after. I had prepared this halfway months ago, but it still needed more work. When I initially found it, the rock had split right through it, resulting in the loss of some segments. I glued it together in the field. In this round of prep, I applied acetone to get rid of some excess glue, performed some restoration of the missing parts, scribed and abraded a bit more, and this is the result. It may not be perfect, but it is a lot better than how I found it! This one measures 47 mm (sag.).
My next task is to complete prep on one of Deb's finds -- another prone E. rana.